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Críticas 'An astute and moving book, Touched Bodies gives account of the transition from an aesthetics of representation to an aesthetics of embodiment and bodily vulnerability in Latin American art of the 1980s. A contribution to aesthetic theory as much as to the history of art, Touched Bodies extends our understanding of performance-based art in relationship to practices of vulnerability, dissensus, and cross-temporal performativity.'--Rebecca Schneider 'author of Performing Remains: Art and War in Times of Theatrical Reenactment ''Mara Polgovsky makes an outstanding contribution to the re-evaluation of the performative turn in adversarial art from 1970s and 1980s Latin America, expanding the genealogy of conceptualism and recalibrating the spectrum of body-centered practice. The originality of her approach provides unparalleled insights into the complex interaction between corporeality, political activism and the body as site of desire and vulnerability.' --Erica Segre 'author of Intersected Identities ' Reseña del editor What is the role of pleasure and pain in the politics of art? In Touched Bodies, Mara Polgovsky Ezcurra approaches this question as she examines the flourishing of live and intermedial performance in Latin America during times of authoritarianism and its significance during transitions to democracy. Based on original documents and innovative readings, her book brings politics and ethics to the discussion of artistic developments during the “long 1980s”. She describes the rise of performance art in the context of feminism, HIV-activism, and human right movements, taking a close look at the work of Diamela Eltit and Raúl Zurita from Chile, León Ferrari and Liliana Maresca from Argentina, and Marcos Kurtycz, the No Grupo art collective, and Proceso Pentágono from Mexico. The comparative study of the work of these artists attests to a performative turn in Latin American art during the 1980s that, like photography and film before, recast the artistic field as a whole, changing the ways in which we perceive art and understand its role in society. Biografía del autor Mara Polgovsky Ezcurra is a lecturer in contemporary art at Birkbeck, University of London in the United Kingdom. She is coeditor of Sabotage Art: Politics and Iconoclasm in Contemporary Latin America.
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Touched bodies the performative turn in latin american mara polgovsky ezcurra touched bodies the performative turn in latin american art new brunswick new jersey rutgers university press 2019 276 páginas 27 blanco y negro 13 a color la historia del arte ha encontrado en los estudios comparados una perspectiva productiva para el análisis de las formaciones culturales en américa latina
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Libros en google play disfruta de millones de revistas libros películas canciones juegos y aplicaciones de android recientes y mucho más estés donde estés y en cualquier dispositivo
Performance art books goodreads review of carter ratcliffs out of the box the reinvention of art 19651975 2 chapters updated sep 15 2013 0908pm 0 people liked it